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In the past few weeks I have been working on some projects, mainly in Reason, and used Cubase to interface with Reason and sequencer. At some stage I came to a point where I just needed to start producing music from scratch. I was hoping that the new release of Cubase would be easy to use but instead I am finding it difficult to get it to sound right and can’t really figure out how to get it to work. I am a musician and just started playing the guitar a couple of weeks ago and I have downloaded a midi guitar and on the unit I have setup Cubase to receive MIDI from Reason, and I am able to record and play back the audio track to the midi device. I have then created a new project and the midi track receives the midi notes from the guitar. In order to be able to hear the audio and control the midi, I selected the midi track as the output and then I choose from the list of MIDI devices to route the output to.
Its possible for me to use my midi guitar and the interface to route the audio and midi through the program to my guitar amp. So far, so good. I have setup Cubase to receive the midi from Reason. Its been a few weeks of getting to grips with Cubase and its sound. After a while, I can create a new project and route the midi and audio to Reason. I can even hear the midi notes and notes played on my guitar. I have had no problems so far. My only problems are that when I play the midi track using my midi guitar, the audio track doesn’t seem to stay in sync with the midi notes. This only occurs when I route the output of the midi to Reason. If I route it to any other audio device, either an audio interface or a stereo mix bus, it works fine.
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Cubase has a fanatical following because its an old, well-established piece of software with something like 2x the number of users than Reaper. This seems to be a constant in the world of DAW software – 1/2 the number of users than Reaper, 1/4 the number of users than Sonar, etc.
Cubase does a few things really well: its workflow, the intuitive software, and the music studio version is solid. Cubase has long featured the best audio engine for DAWs, an extremely intuitive and reliable MIDI editor, and a powerful, well-crafted plug-in architecture.
Cubase 7 Pro is still a big part of the tool box for many producers. It is a fully featured and powerful DAW in its own right and should not be overlooked if what you are looking for is a full featured PA system for recording, editing, and mixing.
Apple Logic Pro X is one of the big names. Much like Ableton, Cubase, and Reaper, it has a suite of powerful editing, mixing, and mastering tools that can rival those of dedicated DAWs. It’s not cheap, but it’s definitely worth the investment if you are serious about producing and mixing music.
Now I’ve used Cubase for years to record and create music tracks, but I now spend almost half of my time on the web researching, posting on forums and social media. Listening to audio on youtube is one of my favorite things to do.
Just a point of interest, I think you can achieve the same thing using Reside Wave Editor and Cubase. You can import the file you recorded and edit it in the same way, although you won’t be able to use the Cubase mixer or LR tool that way. You can sync tracks, if you are OCD like me, but I tend to be more concerned with the audio rather than sync, and then adjust in the mixer.
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Main benefits of Cubase
I’ve written more about the new synth in my in-depth review of Cubase 12 Pro, but it basically brings back the fun of using an analog synth with a traditional synth-style arpeggiator. Creating chords and melodies isnt a chore anymore. It only takes a couple of snappy strokes on the keyboard to get going, and different patches come preloaded to inspire different moods. If that doesnt do the trick, you can even edit the preamps and filters to shape the sounds even further.
As with all Cubase versions, the Audio MIDI Sequencer is the main reason to upgrade. You can now define your own tempo grid with perfect accuracy, allowing you to set all sorts of timing options on the fly. For me, this is the most exciting addition, and it alone makes a huge difference to what used to be a confusing and unwieldy application. Its also a great way to reverse a tempo track, fix a random playback glitch or simply audition a tempo change. Theres even a handy Session Timer, and you can now trigger Track jumps from the Project Tree.
Made with the following Cubase:
- Cubase 8
- Cubase 9
- Cubase 10
- Cubase 10.3
- Cubase 10.4
- Cubase 11
- Cubase 11.1
- Cubase 11.2
- Cubase 11.3
- Cubase 11.4
- Cubase 11.5
- Cubase 12
- Cubase AE 2013
Pro is not ideal for mastering, but it has been a great stepping stone to mastering with Cubase. The console sounds a bit dated, but a good real-time mix can sound very good when mastered. Cubase 12 offers a plethora of new plugins, many free, to master with. VEPD, Typo, Q-Lok, Raiser and others really shine when theyre used in Cubase Serial Key.
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- 192-Khz/24-bit, 47.39 GB sample library
- Verve, piano (21 presets)
- FX Modulator, FX Modulation
- Stereo Input/Output
- 48 x 24 kHz up to 96 kHz sampling rate
Cubase System Requirements
- Macintosh running OS X
- VST 3.x host application
- Cubase SE 9.5 or later
- USB or Firewire
- Windows System Requirements:
- 64-bit operating systems
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